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| 001 | 11559 | ||
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| 005 | 20260610133257.0 | ||
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| 008 | 260607r2004||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aDG | |
| 100 | 1 |
_aSymonds, John Addington, _d1840-1893 |
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| 245 | 1 | 0 |
_aRenaissance in Italy, Volume 3 (of 7) : _bThe Fine Arts |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2004 |
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_a1 online resource : _bmultiple file formats |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2004-03-01 | ||
| 508 | _aProduced by Ted Garvin and PG Distributed Proofreaders | ||
| 520 | _a"Renaissance in Italy, Volume 3 (of 7)" by John Addington Symonds is a historical account written during the late 19th century. This volume explores the development of the fine arts during the Italian Renaissance, focusing particularly on painting, sculpture, and architecture while contextualizing these arts within the broader movement of Renaissance culture. Symonds examines the transformation of artistic expression from medieval traditions towards classical influences, emphasizing how art played a crucial role in shaping intellectual and spiritual life in Italy during this pivotal era. The opening portion introduces the reader to the core themes of the book, setting the stage for a detailed discussion about the relationship between the fine arts and Renaissance culture. It highlights the novel aspect of this artistic evolution, where art was not only a means of decoration but a vital force expressing new ideas and emotions. The author elaborates on the influence of both Christian and classical traditions on the development of the arts, emphasizing the need for a more emotional medium to depict the complexities of Christian ideas. Symonds posits that while painting ultimately prevailed as the supreme Italian art during the Renaissance, the historical context, societal values, and the transition from medieval to modern sensibilities significantly shaped its trajectory. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aArt, Italian | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/11559 |
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