000			02104cam a22003013u 4500
001			12657
003			UtSlPG
005			20260610133312.0
006			m
007			cr n
008			260607r2004||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aND
100	1		_aPhillips, Claude, Sir, _d1846-1924
245	1	4	_aThe Later Works of Titian
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2004
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2004-06-01
508			_aE-text prepared by Jonathan Ingram, Wilelmina Mallière, and the Project Gutenberg Online Distributed Proofreading Team
520			_a"The Later Works of Titian" by Sir Claude Phillips is a scholarly art criticism richly detailing the life and achievements of the esteemed Venetian painter, Titian, during his later years. Written in the late 19th century, the text presents an exploration of Titian's masterpieces and artistic evolution, particularly focusing on his friendships, influences, and the commissions he undertook for prominent figures of his time. The opening of the work sets the stage by examining Titian's pivotal friendship with the influential writer Pietro Aretino, emphasizing how this relationship shaped both his personal life and artistic output. Phillips reflects on Titian's artistic maturation in the middle period, showcasing notable works such as the "Madonna with St. Catherine" and portraits of notable figures, including Charles V. The narrative provides insights into Titian's methods of painting, his attention to aristocratic traits in his subjects, and the balance he sought between artistic brilliance and personal indulgence during a time of immense cultural transformation in Venice. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aTitian, approximately 1488-1576
856	4	0	_uhttps://www.gutenberg.org/ebooks/12657
999			_c54075 _d54075