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001 12856
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aMT
100 1 _aMyer, Edmund J.
_q(Edmund John),
_d1846-1934
245 1 4 _aThe Renaissance of the Vocal Art :
_bA Practical Study of Vitality, Vitalized Energy, of the Physical, Mental and Emotional Powers of the Singer, through Flexible, Elastic Bodily Movements
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2004
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2004-07-08
508 _aProduced by David Newman and PG Distributed Proofreaders
520 _a"The Renaissance of the Vocal Art" by Edmund J. Myer is a practical study on vocal training written in the early 20th century. The book explores the principles of voice production, emphasizing the importance of natural bodily movements and emotional energy in achieving artistic singing. Myer critiques previous singing methods, advocating for a holistic approach that aligns with nature's laws and enhances the singer's physical, mental, and emotional faculties. The opening of the book introduces readers to Myer's motivation and perspective on vocal art, outlining the evolution of singing techniques from the Old Italian School through the Dark Ages to the modern pursuit of a natural approach. He asserts that previous methods have often relied on artificial practices, hindering vocal freedom and expression. Myer stresses the significance of flexible movements, self-expression, and the development of emotional energy—a concept he describes as the "singer's sensation." This foundation sets the stage for his systematic approach to vocal training, which the following chapters will delve into further. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aSinging -- Instruction and study
856 4 0 _uhttps://www.gutenberg.org/ebooks/12856
999 _c54250
_d54250