000 02206cam a22003013u 4500
001 13111
003 UtSlPG
005 20260610133318.0
006 m
007 cr n
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aQP
100 1 _aMott, F. W.
_q(Frederick Walker),
_d1853-1926
245 1 4 _aThe Brain and the Voice in Speech and Song
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2004
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2004-08-03
508 _aProduced by David Newman and PG Distributed Proofreaders
520 _a"The Brain and the Voice in Speech and Song" by F. W. Mott is a scientific publication written in the early 20th century. The work explores the intricate relationship between the physiological mechanisms of the human voice and the neurological processes involved in speech and song production. Mott aims to present complex concepts in an accessible manner, making the content relevant not only for medical professionals but also for educators and the general public interested in the science of vocalization. At the start of the book, the author outlines the series of lectures that form the foundation of the text, specifically focusing on the mechanics and origin of speech. He references various theories on how speech has evolved alongside human intelligence and emotion, emphasizing the significance of both vocal instruments and the brain's cerebral mechanisms. Mott discusses elements like the functioning of the larynx, the role of sound and noise, and the anatomy of the vocal apparatus, setting the stage for a detailed examination that combines anatomy, physiology, and evolutionary theory. Overall, the opening portions establish both the scientific rigor and the aim to make the material insightful and understandable to a wider audience. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aVoice
856 4 0 _uhttps://www.gutenberg.org/ebooks/13111
999 _c54502
_d54502