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| 001 | 13296 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133320.0 | ||
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| 008 | 260607r2004||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aN | |
| 100 | 1 |
_aHuneker, James, _d1857-1921 |
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| 245 | 1 | 0 | _aPromenades of an Impressionist |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2004 |
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_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2004-08-26 | ||
| 505 | 0 | _aPaul Cézanne -- Rops the etcher -- Monticelli -- Rodin -- Eugene Carrière -- Degas -- Botticelli -- Six Spaniards -- Chardin -- Black and white -- Impressionism -- A new study of Watteau -- Gauguin and Toulouse-Lautrec -- Literature and art -- Museum promenades. | |
| 508 | _aProduced by Suzanne Shell, Keith M. Eckrich, and the Project Gutenberg Online Proofreaders Team | ||
| 520 | _a"Promenades of an Impressionist" by James Huneker is a critical exploration of art and artists, reflecting the intellectual currents of the early 20th century. Written during the late 19th century, the book delves into the lives and works of prominent figures in the art world, notably focusing on the impressionists and their predecessors. The narrative encompasses a diverse range of artists, including Cézanne, Rops, Monticelli, Rodin, and others, portraying their unique contributions and the tumultuous context in which they worked. At the start of the book, Huneker presents an engaging critique of the works exhibited at the Paris Autumn Salon, especially emphasizing the impact of Paul Cézanne on modern art. He describes the chaotic and vibrant atmosphere of the Salon, discussing how the younger generation of artists, largely influenced by Cézanne, challenged traditional norms and forged their own path. The opening portion sets the tone for the exploration of the revolutionary changes in art, showcasing both the admiration and criticism directed towards Cézanne as he becomes a central figure amidst the clashing ideals of the art community. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aArt | ||
| 653 | _aArtists | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/13296 |
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_c54686 _d54686 |
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