000 02593cam a22003253u 4500
001 13395
003 UtSlPG
005 20260610133321.0
006 m
007 cr n
008 260607r2004||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aN
100 1 _aBell, Clive,
_d1881-1964
245 1 0 _aSince Cézanne
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2004
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2004-09-07
505 0 _aSince Cézanne -- The artistic problem -- The Douanier Rousseau -- Cézanne -- Renoir -- Tradition and movements -- Matisse and Picasso -- The place of art in art criticism -- Bonnard -- Duncan Grant -- Negro sculpture -- Order and authority (1 and 2) -- Marquet -- Standards -- Criticism: First thoughts. Second thoughts. Last thoughts -- Othon Friesz -- Wilcoxism -- Art and politics -- The authority of M. Derain -- "Plus de jazz."
508 _aProduced by Suzanne Shell, Renald Levesque and the Online Distributed Proofreading Team.
520 _a"Since Cézanne" by Clive Bell is a collection of essays that critically examines the evolution of modern art in light of Cézanne's profound influence, likely written in the early 20th century. The text explores the relationship between artistic theory and practice and the pivotal role Cézanne played in shaping the movements that followed him, including Fauvism and Cubism, while addressing the implications of these shifts on contemporary painters. The opening of the work sets the stage for this exploration by acknowledging the dual focus of the essays: one on the aesthetic theories that emerged after Cézanne and the other on the significant artists influenced by his style. Bell delves into the nature of Cézanne's directness and use of distortion as an artistic method, illustrating how he prompted a generation of artists to reevaluate their own approaches to painting. Furthermore, the introduction suggests that the development of art theory had been heavily intertwined with the artistic practice initiated by Cézanne and his contemporaries, informing a broader discussion about the state of modern art within the context of historical traditions. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aArt
653 _aPost-impressionism (Art)
856 4 0 _uhttps://www.gutenberg.org/ebooks/13395
999 _c54785
_d54785