000			02168cam a22003133u 4500
001			13996
003			UtSlPG
005			20260610133330.0
006			m
007			cr n
008			260607r2004||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPR
100	1		_aSinclair, May, _d1863-1946
245	1	4	_aThe Divine Fire
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2004
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2004-11-09
508			_aE-text prepared by Suzanne Shell, Project Gutenberg Beginners Projects,
520			_a"The Divine Fire" by May Sinclair is a novel written in the early 20th century. The book introduces us to Horace Jewdwine, an Oxford don, and his cousin Lucia Harden, as they navigate their relationships and the world of literature. The narrative revolves around the potential genius of a young poet, Savage Keith Rickman, prompting a discussion on artistic responsibility and the intersection of talent and patronage. At the start of the novel, we see Jewdwine returning to his family estate and discussing his discovery of Rickman's poetry, specifically his neo-classical play "Helen in Leuce." Jewdwine feels the weight of responsibility for his discovery and is torn between wanting to help Rickman and recognizing the risks of staking his reputation on an unproven talent. As Jewdwine and Lucia engage in conversations about Rickman, we glimpse their contrasting views on art, ambition, and the expectations placed upon them. Moreover, Rickman's precarious position as a poet in an unkind world is hinted at throughout the dialogue, setting the stage for further exploration of themes related to artistic struggle and the dynamics of friendships formed through intellectual pursuits. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aLondon (England) -- Fiction
653			_aPoets -- Fiction
856	4	0	_uhttps://www.gutenberg.org/ebooks/13996
999			_c55384 _d55384