000 02208cam a22003133u 4500
001 14602
003 UtSlPG
005 20260610133337.0
006 m
007 cr n
008 260607r2005||||utu|||||o|||||||||||||| d
010 _a15005809
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPS
100 1 _aWentworth, Marion Craig,
_d1872-1942
245 1 0 _aWar Brides: A Play in One Act
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2005
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2005-01-05
508 _aProduced by David Garcia, Melissa Er-Raqabi and the PG Online Distributed Proofreading Team
520 _a"War Brides: A Play in One Act" by Marion Craig Wentworth is a dramatic play written in the early 20th century, specifically around the time of World War I. This one-act play explores the emotional and social implications of war on women, particularly focusing on the concept of "war brides," women who marry soldiers as an act of patriotism. The narrative unfolds in a war-ridden country, reflecting the tension and sacrifices made during this tumultuous period. The play centers on Amelia, a young woman faced with the societal pressures to marry a soldier, Hans Hoffman, while grappling with her desire to serve as a nurse at the front. Her sister, Hedwig, vehemently opposes the idea of becoming a "war bride" and voices her strong objections against the war's brutalities. The characters navigate their fears and hopes as they confront the loss of family members, the expectations placed upon them by society, and the reality of war's consequences. Hedwig's ultimate tragic decision highlights the struggle between duty to one’s country and the fundamental desire for love, peace, and self-determination, culminating in a powerful statement on the feminine experience during wartime. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aWorld War, 1914-1918 -- Drama
856 4 0 _uhttps://www.gutenberg.org/ebooks/14602
999 _c55990
_d55990