| 000 | 02027cam a22003013u 4500 | ||
|---|---|---|---|
| 001 | 15117 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133344.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2005||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aPS | |
| 100 | 1 |
_aWarfield, Catherine A. _q(Catherine Ann), _d1816-1877 |
|
| 245 | 1 | 0 |
_aSea and Shore : _bA Sequel to "Miriam's Memoirs" |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2005 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2005-02-21 | ||
| 508 | _aProduced by Kentuckiana Digital Library, David Garcia, Josephine Paolucci and the Online Distributed Proofreading Team. | ||
| 520 | _a"Sea and Shore" by Catherine A. Warfield is a novel written in the late 19th century. This sequel to "Miriam's Memoirs" explores themes of love, loss, and social dynamics in the American South through the experiences of the main character, Miss Miriam Harz, as she embarks on a journey that brings her into contact with various intriguing characters, including Major Favraud and Mr. Calhoun. The opening portion of the story reveals a poignant moment as Miriam departs from Beauseincourt, filled with nostalgia and contemplation about her past. Accompanied by her friends, she reflects on the emotional weight of leaving and engages in discussions about poetry, politics, and personal loss, foreshadowing the complex interactions and relationships that will develop throughout the narrative. The stage is set for a rich exploration of character dynamics as Miriam navigates her way toward Savannah and beyond, while grappling with her feelings for Captain Wentworth and the shadows of her past. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aFiction | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/15117 |
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_c56505 _d56505 |
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