000			02122cam a22003013u 4500
001			16217
003			UtSlPG
005			20260610133359.0
006			m
007			cr n
008			260607r2005||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPR
100	1		_aBlack, William, _d1841-1898
245	1	0	_aPrince Fortunatus
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2005
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2005-07-06
508			_aProduced by Juliet Sutherland, Pilar Somoza and the Online Distributed Proofreading Team at https://www.pgdp.net
520			_a"Prince Fortunatus" by William Black is a novel written in the early 20th century, likely the late Edwardian period. It centers on the lives of characters within the theatrical world, exploring themes of art, ambition, and relationships. The main character, Lionel Moore, is a baritone involved in the burgeoning London theater scene, navigating both his professional endeavors and personal connections with women like Lady Adela Cunyngham and the returning Nina Rossi. At the start of the novel, two siblings, Lady Adela and Lord Rockminster, leave a successful musical performance and meet the actors backstage, revealing their ties to the theater world. As they converse with Lionel Moore, the baritone, the atmosphere hints at a blend of both admiration and underlying tension surrounding artistic pursuits. Additionally, Nina's return from Naples introduces a layer of romantic and professional intrigue, as she seeks Lionel's guidance while seeking to establish her own career in England. The opening sets the stage for character dynamics as they balance personal desires against the backdrop of theatrical aspirations and societal expectations. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aFiction
856	4	0	_uhttps://www.gutenberg.org/ebooks/16217
999			_c57605 _d57605