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001 17074
003 UtSlPG
005 20260610133411.0
006 m
007 cr n
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aML
100 1 _aShedlock, J. S.
_q(John South),
_d1843-1919
245 1 4 _aThe Pianoforte Sonata :
_bIts Origin and Development
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2005
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2005-11-16
508 _aProduced by John Hagerson, Charles Aldarondo, Linda Cantoni, and the Online Distributed Proofreading Team at https://www.pgdp.net
520 _a"The Pianoforte Sonata" by J.S. Shedlock is a historical account written in the late 19th century. The work examines the origins and evolution of the pianoforte sonata, detailing the contributions of various musicians throughout history, particularly focusing on composers like Johann Kuhnau and Ludwig van Beethoven. At the start of the book, Shedlock sets the stage for a comprehensive analysis of the sonata form, beginning with Johann Kuhnau’s 1695 Sonata in B flat. He draws parallels between significant historical figures and composers, such as Haydn and Beethoven, emphasizing their roles in the development of the sonata. The opening also touches on the various iterations of sonatas prior to the pianoforte’s prominence, as well as discussing early composers who shaped the foundation of this musical form. Through detailed references and descriptions, the introduction establishes the depth and breadth of the sonata’s history, promising a thorough exploration of its evolution in subsequent chapters. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aSonatas (Piano) -- History and criticism
856 4 0 _uhttps://www.gutenberg.org/ebooks/17074
999 _c58462
_d58462