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001 17363
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040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aML
100 1 _aBouchor, Maurice,
_d1855-1929
245 1 0 _aIsraël en Égypte: Étude sur un oratorio de G.F. Hændel
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2005
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2005-12-21
508 _aProduced by Steven Giacomelli, Renald Levesque and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)
520 _a"Israël en Égypte: Étude sur un oratorio de G.F. Hændel" by Maurice Bouchor is a musical analysis written during the late 19th century. This book dives into George Frideric Handel's oratorio "Israel in Egypt," exploring its themes, structure, and musical intricacies. It reflects the author's deep appreciation for the oratorio's grandeur and emotional depth, as well as its historical and cultural context. In the text, Bouchor provides an insightful examination of the oratorio's components, emphasizing the power of its choral passages and the character of the vocal solos. He describes the music's ability to convey the poignant journey of the Israelites from oppression in Egypt to liberation, punctuating significant moments with evocative descriptions of the performances he witnessed. Through detailed commentary on various musical sections, soloists, and orchestral arrangements, Bouchor highlights Handel’s genius in combining theatricality with religious fervor, ultimately presenting "Israël en Égypte" as a divine celebration of freedom and faith. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aHandel, George Frideric, 1685-1759. Oratorios
856 4 0 _uhttps://www.gutenberg.org/ebooks/17363
999 _c58751
_d58751