000			02177cam a22003133u 4500
001			18354
003			UtSlPG
005			20260610133429.0
006			m
007			cr n
008			260607r2006||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_afi _2iso639-1
050		4	_aPQ
100	1		_aBeaumarchais, Pierre Augustin Caron de, _d1732-1799
240	1	0	_aBarbier de Séville. Finnish
245	1	0	_aSevillan parturi eli Turha varovaisuus: Komedia neljässä näytöksessä
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2006
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2006-05-08
508			_aProduced by Tapio Riikonen
520			_a"Sevillan parturi eli Turha varovaisuus" by Pierre-Augustin Caron de Beaumarchais is a comedic play likely written in the late 18th century. This work revolves around themes of love, deception, and the clever machinations of its central characters, particularly Figaro, the witty barber and schemer, who aids Count Almaviva in winning the heart of Rosina, the ward of the jealous doctor Bartholo. The play is filled with humorous dialogue and situations that highlight the social dynamics of the time. At the start of the play, we are introduced to Count Almaviva, who is infatuated with Rosina, but he must disguise his identity to pursue her without arousing the suspicions of her guardian, Bartholo. Figaro, the barber, soon enters, bringing his exuberant personality and clever wit into the mix. The opening scenes unfold in the streets of Seville, revealing Almaviva's plans and Figaro’s enthusiasm for helping him succeed in his romantic pursuits. The characters’ interactions set the stage for a lively plot filled with schemes, misunderstandings, and comic relief, establishing a foundation for the subsequent comedic events. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aFrench drama (Comedy) -- 18th century
856	4	0	_uhttps://www.gutenberg.org/ebooks/18354
999			_c59740 _d59740