000 02332cam a22003013u 4500
001 18749
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040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aN
100 1 _aViollet-le-Duc, Eugène-Emmanuel,
_d1814-1879
245 1 2 _aL'art russe: Ses origines, ses éléments constitutifs, son apogée, son avenir
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2006
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2006-07-03
508 _aProduced by Chuck Greif, Zoran Stefanovic and the Online Distributed Proofreaders Europe team at http://dp.rastko.net
520 _a"L'art russe: Ses origines, ses éléments constitutifs, son apogée, son avenir" by E. Viollet le Duc is a historical account written in the late 19th century. The book delves into the complexities of Russian art, exploring its diverse origins, foundational elements, peak achievements, and future prospects within the context of its Western influences. It aims to highlight the uniqueness and inherent qualities of Russian art against the backdrop of imitative practices. The opening of this work begins with a reflection on the misconceptions surrounding the existence of a distinctive Russian art, primarily due to the diverse ethnic composition of Russia. Viollet le Duc argues that the variety of influences does not preclude the emergence of an original artistic style, drawing parallels with the artistic developments of other ancient civilizations. He emphasizes the richness of Russian heritage, stating that, despite historical missteps that led to the imitation of Western art forms, there is a growing recognition of Russia's own artistic identity, waiting to be rediscovered and cultivated. The text sets the stage for a detailed analysis of these themes, foreshadowing a deep exploration of the historical and cultural trajectories that shaped Russian art. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aArt -- Russia
856 4 0 _uhttps://www.gutenberg.org/ebooks/18749
999 _c60135
_d60135