000 02221cam a22003013u 4500
001 19138
003 UtSlPG
005 20260610133439.0
006 m
007 cr n
008 260607r2006||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aMT
100 1 _aFillebrown, Thomas,
_d1836-1908
245 1 0 _aResonance in Singing and Speaking
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2006
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2006-08-29
508 _aProduced by David Newman, Clare Boothby, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net
520 _a"Resonance in Singing and Speaking" by Thomas Fillebrown is a scientific publication written in the early 20th century. The book explores the art and mechanics of vocalization, focusing on voice production, resonance, and the physiological structures involved in singing and speaking. It aims to provide a systematic approach for both teachers and students, drawing on the author's extensive professional experience in voice development and surgical practices related to vocal issues. The opening of the work lays a foundation for understanding the author's innovative methods in voice training. Fillebrown begins by reflecting on his own experiences with vocal challenges and the traditional misconceptions surrounding voice production. He emphasizes the importance of resonance in achieving a beautiful tone and challenges the antiquated views on registers and vocal registers, asserting that they do not exist naturally. The introductory chapters further outline the anatomical aspects of the vocal instrument and set the stage for the practical exercises and principles that will follow in the text, emphasizing a holistic understanding of voice development through physiological and psychological dimensions. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aVoice culture
856 4 0 _uhttps://www.gutenberg.org/ebooks/19138
999 _c60524
_d60524