000 02230cam a22003013u 4500
001 22499
003 UtSlPG
005 20260610133522.0
006 m
007 cr n
008 260607r2007||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _ait
_2iso639-1
050 4 _aPQ
100 1 _aPraga, Marco,
_d1862-1929
245 1 3 _aLa crisi: commedia in tre atti
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2007
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2007-09-04
508 _aProduced by Claudio Paganelli, Carlo Traverso and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by Biblioteca Nazionale Braidense - Milano)
520 _a"La crisi: commedia in tre atti" by Marco Praga is a play written in the early 20th century. The narrative primarily revolves around Nicoletta, Piero Donati, and his brother Raimondo, exploring themes of love, betrayal, and the complexities of relationships in a socially bound environment. The dialogue hints at unfolding tensions, particularly concerning Nicoletta's fidelity, as secrets and societal expectations weave through their interactions. At the start of the play, we are introduced to a group having coffee after a meal, including Nicoletta, Piero, and Raimondo. As they converse, we witness a mix of playful banter and underlying tension, particularly between Nicoletta and Raimondo. The dynamics are strained, especially when hints of Nicoletta's dissatisfaction in her marriage surface, followed by hints of an affair, likely with Pucci. The scene shifts to Raimondo's growing concern about Piero's well-being amidst the flirtatious exchanges and the potential for deeper conflict, setting the stage for the exploration of personal and relational crises that seem poised to escalate throughout the play. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aItalian drama -- 20th century
856 4 0 _uhttps://www.gutenberg.org/ebooks/22499
999 _c63616
_d63616