000 02104cam a22003013u 4500
001 23229
003 UtSlPG
005 20260610133531.0
006 m
007 cr n
008 260607r2007||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPR
100 1 _aWilde, Oscar,
_d1854-1900
245 1 0 _aFor Love of the King: A Burmese Masque
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2007
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2007-10-28
508 _aTranscribed from the [1922] Methuen and Co./Jarrold and Sons edition by David Price
520 _a"For Love of the King: A Burmese Masque" by Oscar Wilde is a theatrical play written in the late 19th century. The work can be categorized as a masque or pantomimic play, reflecting Wilde's characteristic lush style and fascination with Eastern aesthetics. This piece explores themes of love, duty, and the conflicts of fate, set against the vibrant backdrop of ancient Burma. The narrative follows King Meng Beng, a youthful and sensitive ruler, as he grapples with love and obligation. He becomes enamored with Shah Mah Phrun, a striking girl of Italian and Burmese descent, who seeks his protection from her adversaries. Their love story flourishes over two years, during which the couple builds a life together in the jungle. However, as Meng Beng faces the demands of his royal duty and an arranged marriage to a Ceylonese princess, their idyllic existence unravels. The climax reveals Meng Beng's struggle between his responsibilities as king and his deep love for Mah Phrun, ultimately leading to a heartbreaking resolution that speaks to the transitory and often painful nature of love and the burden of kingship. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aEnglish drama -- 19th century
856 4 0 _uhttps://www.gutenberg.org/ebooks/23229
999 _c64281
_d64281