000			02120cam a22003013u 4500
001			24677
003			UtSlPG
005			20260610133551.0
006			m
007			cr n
008			260607r2008||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_ade _2iso639-1
050		4	_aML
100	1		_aBusoni, Ferruccio, _d1866-1924
245	1	0	_aEntwurf einer neuen Ästhetik der Tonkunst
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2008
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2008-02-23
508			_aProduced by Jana Srna and the Online Distributed Proofreading Team at http://www.pgdp.net
520			_a"Entwurf einer neuen Ästhetik der Tonkunst" by Ferruccio Busoni is a philosophical treatise on music aesthetics written in the early 20th century. This book explores the nature of music, its significance as an art form, and the developing role of composers and musicians within it. The text delves into the essence of musical expression, advocating for a deeper understanding and appreciation of music beyond conventional frameworks. In this work, Busoni articulates a vision of music as a free and dynamic art form that transcends rigid structures and norms. He challenges the prevalent distinctions between "absolute" and "program" music, arguing instead for a unity that reflects the profound emotional and spiritual experiences that music can convey. Busoni believes that true musical creation should not be confined to existing traditions or forms, advocating for innovation and exploration in composition. Throughout the book, he illustrates his ideas by referencing great composers, emphasizing the need to liberate music from limiting conventions and encouraging a more intuitive connection with its essence. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aMusic -- Philosophy and aesthetics
856	4	0	_uhttps://www.gutenberg.org/ebooks/24677
999			_c65678 _d65678