000			02092cam a22003013u 4500
001			24785
003			UtSlPG
005			20260610133552.0
006			m
007			cr n
008			260607r2008||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPR
100	1		_aPhillips, Stephen, _d1864-1915
245	1	0	_aNero
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2008
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2008-03-08
508			_aE-text prepared by Al Haines
520			_a"Nero" by Stephen Phillips is a historical drama written in the early 20th century. The play focuses on the rise of Nero, the infamous Emperor of Rome, highlighting the political intrigues and personal relationships that shape his ascent to power, particularly the influence of his mother, Agrippina. The narrative delves into themes of ambition, betrayal, and the cost of power as it explores the tumultuous dynamics between mother and son. The opening of the play introduces a tense atmosphere in the Great Hall of the Palace of the Caesars, where Agrippina orchestrates the murder of her husband, Emperor Claudius, to place her son, Nero, on the throne. As the act unfolds, various characters, including Xenophon, Seneca, and Burrus, are drawn into the plot, revealing the gravity of Agrippina's machinations and her determination for power. The scene is set for a dramatic exploration of family loyalty and betrayal, as Agrippina's ambition for Nero positions her as both a guiding force and a potential threat. The sense of foreboding is palpable, with prophecies and the dark legacy of power echoing throughout the narrative, foreshadowing the inevitable turmoil that will ensue. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aNero, Emperor of Rome, 37-68 -- Drama
856	4	0	_uhttps://www.gutenberg.org/ebooks/24785
999			_c65786 _d65786