000 02228cam a22003013u 4500
001 24833
003 UtSlPG
005 20260610133553.0
006 m
007 cr n
008 260607r2008||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _apt
_2iso639-1
050 4 _aND
100 1 _aMachado, Cirilo Volkmar,
_d1748-1823
245 1 0 _aNova academia de pintura :
_bdedicada às senhoras portuguezas que amão ou se applicão ao estudo das Bellas Artes
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2008
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2008-03-15
508 _aProduced by Rita Farinha and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by National Library of Portugal (Biblioteca Nacional de Portugal).)
520 _a"Nova academia de pintura" by Cirilo Volkmar Machado is a scientific publication written in the early 19th century. This work serves as a guide to painting, emphasizing both the theoretical foundations and practical applications of the art form. The author discusses the significance of painting not only as a craft but as an elevated form of expression, particularly suited for women who appreciate the beauty of the arts. The opening of "Nova academia de pintura" introduces the reader to the significance of painting as a noble endeavor. The author reflects on the historical context of art, drawing connections between theory and practice while highlighting the importance of both. He argues for a structured approach to learning painting that balances practical skill with theoretical knowledge, advocating for its cultivation among women readers. This section establishes the groundwork for a comprehensive exploration of painting, revealing its historical evolution and the principles that guide artistic composition and expression. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPainting
856 4 0 _uhttps://www.gutenberg.org/ebooks/24833
999 _c65834
_d65834