000			02106cam a22003133u 4500
001			25290
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005			20260610133559.0
006			m
007			cr n
008			260607r2008||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aNC
100	1		_aCrane, Walter, _d1845-1915
245	1	0	_aLine and Form (1900)
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2008
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2008-05-02
508			_aProduced by Suzanne Lybarger, David Cortesi, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net
520			_a"Line and Form" by Walter Crane is a treatise on art and design written in the late 19th century. This work centers around the principles of line and form in artistic creation, exploring their historical significance and practical applications in drawing and design. The author presents a variety of methods and approaches for students and practitioners in the arts, aiming to enhance their understanding and capacity for artistic expression. The opening of the book establishes its academic foundation, indicating that it comprises a series of lectures originally delivered at an art school. Crane emphasizes the importance of outline as a fundamental aspect of art, discussing its origins and functions. He introduces various drawing methods, such as the progressive method and the calligraphic method, while also touching on the emotional and textural qualities conveyed through line. The text sets the stage for a deeper exploration of these concepts, framing the subsequent chapters on the language of line and the relationship between line and form in artistic endeavors. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aDecoration and ornament
653			_aDrawing
856	4	0	_uhttps://www.gutenberg.org/ebooks/25290
999			_c66291 _d66291