| 000 | 02506cam a22003253u 4500 | ||
|---|---|---|---|
| 001 | 26211 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133612.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2008||||utu|||||o|||||||||||||| d | ||
| 010 | _a04007653 | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_afr _2iso639-1 |
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| 050 | 4 | _aN | |
| 100 | 1 |
_aDumesnil, Antoine Jules, _d1805-1891 |
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| 245 | 1 | 0 |
_aHistoire des Plus Célèbres Amateurs Étrangers : _bEspagnols, Anglais, Flamands, Hollandais et Allemands et de leurs relations avec les artistes |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2008 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2008-08-07 | ||
| 508 | _aProduced by Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr) | ||
| 520 | _a"Histoire des Plus Célèbres Amateurs Étrangers" by Antoine Jules Dumesnil is a historical account written in the mid-19th century. The book explores the influential relationships between prominent foreign art patrons such as Spanish, English, Flemish, Dutch, and German nobles and the artists of their time, highlighting their roles in the development of the arts during the Renaissance and Baroque periods. At the start of the work, Dumesnil sets the stage by reflecting on his own journey into the study of art, spurred by his admiration for Raphael’s frescoes in Rome. He recounts how his initial curiosity led to a broader exploration of influential art collectors throughout history, emphasizing the significant impact these patrons had on the careers of great artists. The opening chapters focus on Spanish patrons like King Philip II and notable figures such as Diego Hurtado de Mendoza, detailing their profound appreciation for Venetian art and the connections they fostered with leading artists of the time, including Titian. This lays a foundational understanding of the intertwining of politics, culture, and the arts in shaping the artistic landscape of their respective epochs. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aArt -- Collectors and collecting | ||
| 653 | _aArt patronage | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/26211 |
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_c67208 _d67208 |
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