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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aAP
100 1 _aCarpenter, S. C.
_q(Stephen Cullen)
245 1 4 _aThe Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2008
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2008-09-15
508 _aProduced by Barbara Tozier, Nigel Blower, Bill Tozier and the Online Distributed Proofreading Team at https://www.pgdp.net
520 _a"The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810" by Arnold is a historical publication focusing on the development of dramatic arts, specifically examining the rise of Greek drama and notable figures such as Thespis and Æschylus. Written in the early 19th century, this work delves into the origins of tragedy and the evolution of theatrical performance from ancient times to its contemporaneous context, emphasizing the cultural significance of drama across various societies. The opening of this publication discusses the historical context and origins of drama, starting with its rudimentary forms in ancient civilizations and leading into a detailed exploration of the Greek theatrical tradition. It elaborates on important figures such as Thespis, credited with introducing regular tragedy, and Æschylus, known as the "Father of Tragedy," highlighting their contributions to the art form. Additionally, the text reflects on how these early dramatists impacted the structure of theater, helping develop its narrative complexity and aesthetic features that later influenced performance traditions throughout history. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aTheater -- Periodicals
653 _aDrama -- Periodicals
700 1 _aArnold, Samuel James,
_d1774-1852
856 4 0 _uhttps://www.gutenberg.org/ebooks/26628
999 _c67537
_d67537