000			02019cam a22003013u 4500
001			26638
003			UtSlPG
005			20260610133617.0
006			m
007			cr n
008			260607r2008||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aNC
100	1		_aPoore, Henry Rankin, _d1859-1940
245	1	0	_aPictorial Composition and the Critical Judgment of Pictures
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2008
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2008-09-16
520			_a"Pictorial Composition and the Critical Judgment of Pictures" by Henry Rankin Poore is a handbook on art theory written in the early 20th century. The book focuses on guiding students and art enthusiasts in understanding the principles of pictorial composition and developing a critical eye for assessing art. It explores the dynamics of balance, structure, and aesthetics within visual art, making it valuable for aspiring artists and lovers of art alike. The opening of the book sets the stage for a comprehensive examination of pictorial composition, discussing the need for a solid foundation in artistic principles for students and amateurs of art. Poore emphasizes that the text aims not at providing a superficial "how-to" guide but rather to cultivate a deeper understanding of the underlying rules of composition, which are essential for meaningful artistic creation. He introduces key concepts such as balance, unity, and visual flow while rejecting traditional reverence for historical masters, advocating instead for a more nuanced appreciation and analysis of various artworks. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aArt criticism
653			_aComposition (Art)
856	4	0	_uhttps://www.gutenberg.org/ebooks/26638
999			_c67547 _d67547