000 02230cam a22003253u 4500
001 26810
003 UtSlPG
005 20260610133619.0
006 m
007 cr n
008 260607r2008||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aPQ
100 1 _aPigault-Lebrun,
_d1753-1835
245 1 2 _aL'amour et la raison
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2008
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2008-10-07
508 _aProduced by Daniel Fromont
520 _a"L'amour et la raison" by Pigault-Lebrun is a comedic play that was first performed in 1790, with a significant edition published in the early 19th century. This work is representative of the late 18th and early 19th-century French theater, characterized by its exploration of themes related to love, social conventions, and the clash between rationality and emotion. The play navigates the complexities of romantic relationships and societal expectations, particularly focusing on the tension between duty and desire. The story unfolds in the apartment of Hortense, a young widow who is torn between marrying Mondor, a much older man who was a friend of her late husband, and her feelings for her young cousin Auguste. As the plot develops, Auguste passionately confesses his love for Hortense, creating a love triangle that is complicated by Hortense's initial adherence to social obligation. Through lively dialogue and comedic misunderstandings, characters navigate their emotions, ultimately leading to an unconventional resolution where love triumphs over reason and societal pressure. The play highlights themes of youthful passion contrasted with the rationality expected in marriage, ultimately advocating for true affection over practical arrangements. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aComedy plays
653 _aOne-act plays
653 _aFrench drama -- 18th century
856 4 0 _uhttps://www.gutenberg.org/ebooks/26810
999 _c67719
_d67719