000 02134cam a22003133u 4500
001 27138
003 UtSlPG
005 20260610133623.0
006 m
007 cr n
008 260607r2008||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aAP
100 1 _aCarpenter, S. C.
_q(Stephen Cullen)
245 1 4 _aThe Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2008
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2008-11-03
508 _aProduced by Barbara Tozier, Bill Tozier, Josephine Paolucci and the Online Distributed Proofreading Team at https://www.pgdp.net.
520 _a"The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810" by Carpenter is a periodical publication that focuses on the critique and history surrounding drama and theatrical arts, written in the early 19th century. In this issue, one of the central topics is the evolution of Roman drama, examining its progression from rustic origins to more refined forms influenced by Greek theater. The opening of this issue delves into the history of Roman drama, outlining how the Romans initially embraced a rough and coarse style, gradually refining their theatrical expression by imitating Greek models. It describes key figures such as Livius Andronicus, who revolutionized the Roman theater by introducing structured dialogue, and his successors, Pacuvius and Accius, who furthered dramatic art in Rome despite the cultural challenges they faced. The section illustrates the struggles and triumphs of early Roman playwrights as they navigated between the barbaric roots of their society and the refined ideals of the Greek tradition. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aTheater -- Periodicals
653 _aDrama -- Periodicals
856 4 0 _uhttps://www.gutenberg.org/ebooks/27138
999 _c68047
_d68047