| 000 | 02504cam a22003373u 4500 | ||
|---|---|---|---|
| 001 | 27194 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133624.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2008||||utu|||||o|||||||||||||| d | ||
| 010 | _a03008933 | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aN | |
| 100 | 1 |
_aNoyes, Carleton Eldredge, _d1872-1950 |
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| 245 | 1 | 4 | _aThe Enjoyment of Art |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2008 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2008-11-07 | ||
| 505 | 0 | _aThe picture and the man -- The work of art as symbol -- The work of art as beautiful -- Art and appreciation -- The artist. | |
| 508 | _aProduced by Ruth Hart | ||
| 520 | _a"The Enjoyment of Art" by Carleton Eldredge Noyes is a philosophical treatise on the nature of art, focused on the appreciation and understanding of beauty within various artistic expressions. Written in the early 20th century, the book reflects the artistic movements and philosophic inquiries of its time, emphasizing the essential qualities that define a work of art and how people engage with it. It delves into concepts of symbolism, beauty, and the emotional impact of art, positing that the true appreciation of art lies in one's ability to perceive the deeper significance the artist seeks to convey. In "The Enjoyment of Art," Noyes explores the relationship between the artist and the observer, proposing that art serves as a conduit for communicating beauty and meaning that transcends mere representation. The text outlines the evolution of a viewer’s appreciation from initially valuing technical skill to recognizing the emotional and spiritual resonance of art. Through analysis of the artist's intent and the role of the observer, Noyes asserts that art's primary purpose is revelation—showing the viewer new truths about life, nature, and beauty. He emphasizes that understanding art requires more than technical knowledge; it necessitates an openness to experience and a reflective engagement with the work, allowing for a profound connection between the audience and the artistic expression. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aAesthetics | ||
| 653 | _aArt criticism | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/27194 |
| 999 |
_c68103 _d68103 |
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