000			02065cam a22003133u 4500
001			27627
003			UtSlPG
005			20260610133630.0
006			m
007			cr n
008			260607r2008||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_afr _2iso639-1
050		4	_aPQ
100	1		_aDu Veuzit, Max, _d1886-1952
245	1	3	_aLe Sentier
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2008
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2008-12-25
508			_aProduced by Daniel Fromont
520			_a"Le Sentier" by Max Du Veuzit and Robert Nunès is a three-act play written in the early 20th century. The work centers around the life of Andrée, an artist struggling to navigate her relationships and societal expectations, particularly in the context of her unconventional living situation with Pierre Belval, which raises eyebrows in their community. The play seems to delve into themes of love, freedom, and the criticism of traditional marriage. The opening of the play introduces us to an artist's studio where Andrée is painting and interacting with her model and friends, including Loret and Paul Rouss. Their playful banter touches on their personal lives and the precarious nature of relationships, emphasizing Andrée's past marriage and her apprehension toward the institution of marriage itself. As the discussion evolves, it becomes clear that Andrée has a complicated relationship with Pierre Belval, who is expected to arrive soon. The conversation foreshadows the tension surrounding their living situation, which defies societal norms and ultimately leads to gossip and criticism, setting the stage for conflict later in the play. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aFrench drama
700	1		_aNunès, Robert
856	4	0	_uhttps://www.gutenberg.org/ebooks/27627
999			_c68536 _d68536