000 02664cam a22003253u 4500
001 28982
003 UtSlPG
005 20260610133648.0
006 m
007 cr n
008 260607r2009||||utu|||||o|||||||||||||| d
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPR
100 1 _aZangwill, Israel,
_d1864-1926
245 1 0 _aGhetto Comedies
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2009
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2009-05-28
505 0 _aThe model of sorrows -- Anglicization -- The Jewish trinity -- The Sabbath question in Sudminster -- The red mark -- The bearer of burdens -- The luftmensch -- The tug of love -- The Yiddish 'Hamlet' -- The converts -- Holy wedlock -- Elijah's goblet -- The hirelings -- Samooborona.
508 _aE-text prepared by David Edwards, Jeannie Howse, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from digital material generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto)
520 _a"Ghetto Comedies" by Israel Zangwill is a collection of short stories written in the early 20th century. The stories focus on the experiences of Jewish characters living in the ghetto, capturing their struggles, identities, and relationships within a changing society. Through a blend of humor and tragedy, Zangwill illustrates the lives of these individuals, emphasizing the complexities and challenges they face in the pursuit of acceptance and belonging. The opening of "Ghetto Comedies" introduces the character of Israel Quarriar, a Jewish artist seeking a model for his painting of the Man of Sorrows. During his quest, he encounters Quarriar, a darkly bearded man sitting on a curb in Brighton, embodying the profound sadness he aims to depict. As the narrator learns about Quarriar's past—his escape from Russia and the hardships he endures in London—these early pages set the stage for a deeper exploration of themes such as suffering, identity, and the search for dignity in a cruel world. The initial chapters illustrate not only the personal history of the model but also hint at the collective history of the Jewish community, establishing a poignant backdrop for the stories that follow. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aJews -- Fiction
653 _aJewish fiction
856 4 0 _uhttps://www.gutenberg.org/ebooks/28982
999 _c69830
_d69830