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010 _a11032848
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aParkhurst, Daniel Burleigh
245 1 4 _aThe Painter in Oil :
_bA complete treatise on the principles and technique necessary to the painting of pictures in oil colors
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2010
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2010-01-06
508 _aProduced by Juliet Sutherland, Ritu Aggarwal and the Online Distributed Proofreading Team at https://www.pgdp.net
520 _a"The Painter in Oil" by Daniel Burleigh Parkhurst is a comprehensive treatise on the principles and techniques necessary for oil painting, likely penned in the late 19th century. The book aims to equip aspiring painters with a solid understanding of practical and theoretical aspects of oil painting, emphasizing the importance of quality materials and a thoughtful approach to artistic expression. Parkhurst, a pupil of notable artists and a former lecturer on art, draws from his extensive experience to guide readers through the intricacies of the painting process. The opening of the book sets the stage for its instructional content by highlighting the significance of using quality materials in painting. Parkhurst emphasizes that a skilled painter must choose appropriate tools and supplies, arguing that the base materials impact the overall quality of the work. He introduces key concepts regarding essential equipment such as canvases, brushes, and paints, advocating for thoughtful selection and maintenance to avoid hindrances in artistic practice. The discussion points toward a larger framework of artistic training, where understanding both the materials and techniques lays a foundation for developing one's painting skills. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPainting -- Technique
856 4 0 _uhttps://www.gutenberg.org/ebooks/30877
999 _c71723
_d71723