000			02153cam a22003133u 4500
001			30926
003			UtSlPG
005			20260610133715.0
006			m
007			cr n
008			260607r2010||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_apt _2iso639-1
050		4	_aN
100	1		_aLemos, António de, _d1864-1931
245	1	0	_aNotas d'arte
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2010
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2010-01-11
508			_aRita Farinha and the Online Distributed Proofreading Team
520			_a"Notas d'arte" by António de Lemos is a collection of art critiques and reflections written in the early 20th century. Through detailed observations and personal impressions, the author discusses various exhibitions and artworks, highlighting the evolution of art in Portugal, the significance of artists, and the changing public perceptions of artistic expressions. The work serves as a commentary on the artistic landscape and the societal influences that shape it. At the start of "Notas d'arte," the editor's note addresses typographical errors in the text, leading into the author's introductory observations on how art reflects the customs of a society, citing philosopher Taine. Lemos subsequently critiques an exhibition organized by the Instituto de Estudos e Conferências, sharing his impressions of numerous artworks on display, ranging from paintings to sculptures. He admires the skills of artists like Malhoa and Silva Porto, noting their contributions to Portuguese art, while also expressing disappointment in critics lacking artistic understanding. The opening sets the tone for a reflective exploration of artistic merit and the evolving art scene in early 20th century Portugal. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aArt, Portuguese
653			_aArt -- Portugal
856	4	0	_uhttps://www.gutenberg.org/ebooks/30926
999			_c71772 _d71772