| 000 | 01665cam a22003253u 4500 | ||
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| 001 | 31623 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133724.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2010||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aND | |
| 100 | 1 |
_aRuskin, John, _d1819-1900 |
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| 245 | 1 | 0 | _aModern Painters, Volume 4 (of 5) |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2010 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aWikipedia page about this book: https://en.wikipedia.org/wiki/Modern_Painters | ||
| 500 | _aRelease date is 2010-03-13 | ||
| 508 | _aProduced by Marius Masi, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net | ||
| 520 | _a"Modern Painters, Volume 4 (of 5)" by John Ruskin is the fourth volume of a five-volume work published between 1843 and 1860. This influential art criticism began as a defense of painter J.M.W. Turner, arguing that modern landscape artists surpassed the old masters through accurate documentation of nature. Ruskin explores symbolism, natural forces, and atmospheric effects while developing his theory that art should capture both surface details and deeper truths. His ideas profoundly influenced the Pre-Raphaelite Brotherhood and Victorian aesthetic thought. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aAesthetics | ||
| 653 | _aPainting | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/31623 |
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_c72469 _d72469 |
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