| 000 | 02691cam a22003133u 4500 | ||
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| 001 | 31880 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133728.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2010||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aML | |
| 100 | 1 |
_aScrici, _d-1891 |
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| 245 | 1 | 0 | _aPhysiology of the Opera |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2010 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2010-04-04 | ||
| 505 | 0 | _aThe opera in the abstract -- Of the tenore -- Of the primo basso -- Of the prima donna -- Of the barytone -- Of the suggeritore or prompter -- Before the curtain -- Of the opera in the concrete -- Après. | |
| 508 | _aProduced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) | ||
| 520 | _a"Physiology of the Opera" by Scrici is a satirical exploration of the opera scene, written in the mid-19th century. This work delves into both the social and personal dynamics of opera performers, focusing on various character archetypes within the opera world, such as the tenor, prima donna, and basso, while offering a humorous critique of the individuals who frequent opera performances. Through its blend of observational humor and insightful commentary, the book presents a multifaceted view of opera, anchored in the theatrical extravagance of the time. The opening portion of the book introduces the themes and styles that Scrici will explore throughout. In the introduction, the author expresses a desire to provide an engaging reflection of opera life, emphasizing the social intrigue and personal quirks of its participants while maintaining a critical perspective of the established norms and attitudes surrounding the art form. Following this, the first chapter outlines the abstract concept of opera as being largely misunderstood by the public, and hints at the complexities and mysteries surrounding the lives of performers and the audience’s fascination with them. The specifics of various character types are touched upon, establishing a foundation for a deeper analysis of these operatic figures and allowing readers to anticipate a vibrant, if not chaotic, examination of the world of opera. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aOpera -- Anecdotes | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/31880 |
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_c72726 _d72726 |
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