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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPR
100 1 _aYeats, W. B.
_q(William Butler),
_d1865-1939
245 1 0 _aIdeas of Good and Evil
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2010
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2010-06-18
505 0 _aWhat is 'popular poetry'? -- Speaking to the psaltery -- Magic -- The happiest of the poets -- The philosophy of Shelley's poetry -- At Stratford-on-Avon -- William Blake and the imagination -- William Blake and his illustrations to The divine comedy -- Symbolism in painting -- The symbolism of poetry -- The theatre -- The Celtic element in literature -- The autumn of the body -- The moods -- The body of the Father Christian Rosencrux -- The return of Ulysses -- Ireland and the arts -- The Galway plains -- Emotion of multitude.
508 _aProduced by Brian Foley and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
520 _a"Ideas of Good and Evil" by W. B. Yeats is a collection of essays written in the early 20th century. This work explores a variety of themes, including poetry, symbolism, and the nature of popular literature, reflecting Yeats's profound engagement with Irish culture and literature as he grapples with the intersection of art and society. The essays are deeply philosophical, discussing not just the aesthetics of poetry but also the spiritual and cultural implications of literature. At the start of the book, the author delves into the concept of "popular poetry" and reflects on his earlier experiences within the Young Ireland Society. Yeats recalls discussions about Irish poets, expressing both admiration and critical awareness of their work’s romantic appeal versus its artistic merits. He articulates a desire to craft a new style of poetry that resonates with the Irish experience, distinct from English influences, while recognizing the challenges inherent in forging a cultural literary identity. This opening sets the stage for Yeats's exploration of deeper philosophies behind artistic expression and its connection to national identity, suggesting a complex relationship between creativity and folklore, politics, and spirituality. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aEssays
856 4 0 _uhttps://www.gutenberg.org/ebooks/32884
999 _c73730
_d73730