000 02241cam a22003133u 4500
001 34359
003 UtSlPG
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPT
100 1 _aSudermann, Hermann,
_d1857-1928
245 1 0 _aMorituri: Three One-Act Plays :
_bTeja—Fritzchen—The Eternal Masculine
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2010
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2010-11-18
508 _aProduced by Charles Bowen, from page scans provided by the Web Archive
520 _a"Morituri: Three One-Act Plays" by Hermann Sudermann is a collection of dramatic works likely written in the early 20th century. The plays delve into themes of conflict, existentialism, and human relationships, portraying the struggles and emotions of their characters against the backdrop of society's pressures. The first play, "Teja," introduces a somber king who grapples with his sense of duty and the tragic fate of his people, setting a serious tone for the collection. The opening of "Teja" depicts a tense scene in the king's tent, where King Teja, surrounded by his advisors and his new bride, Balthilda, reflects on the dire circumstances facing his kingdom. As they await the arrival of ships laden with supplies, the hunger and weariness of the warriors are palpable. Teja struggles with his identity as a ruler amidst despair, contemplating the weight of his responsibilities and the choices he must make leading to a battle. The atmosphere is filled with a sense of impending doom, as Teja faces the reality that he may no longer be able to fulfill his kingly duties, establishing a powerful narrative steeped in emotional conflict and societal collapse. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aGerman drama -- Translations into English
700 1 _aAlexander, Archibald,
_d1855-1917
856 4 0 _uhttps://www.gutenberg.org/ebooks/34359
999 _c75205
_d75205