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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aND
100 1 _aLanzi, Luigi,
_d1732-1810
245 1 4 _aThe History of Painting in Italy, Vol. 2 (of 6) :
_bFrom the Period of the Revival of the Fine Arts to the End of the Eighteenth Century
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2010
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2010-12-08
508 _aProduced by Barbara Tozier, Carol Brown, Bill Tozier and the Online Distributed Proofreading Team at http://www.pgdp.net
520 _a"The History of Painting in Italy, Vol. 2 (of 6)" by Luigi Lanzi is a historical account likely written in the early 19th century. This volume focuses on the evolution of painting in Italy from the Renaissance to the end of the 18th century, specifically examining the schools of Rome and Naples. The text seems to delve deeply into the development of various art movements and individual artists, providing insights into the cultural and historical contexts in which they created. At the start of the volume, Lanzi introduces the contentious issue surrounding the Roman School of painting, pondering its legitimacy in comparison to other renowned schools like those of Florence and Venice. He discusses the origins and contributions of notable artists such as Raffaello and others, highlighting how the Roman School, despite its fewer numbers, produced an influential style characterized by a profound reverence for classical antiquity. Lanzi sets the stage for a detailed historical analysis, referencing various artists, art principles, and their legacies while providing a broader context for understanding the development of art in Italy. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPainting -- Italy -- History
700 1 _aRoscoe, Thomas,
_d1791-1871
856 4 0 _uhttps://www.gutenberg.org/ebooks/34585
999 _c75431
_d75431