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001 34936
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006 m
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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPS
100 1 _aNoe, Cotton,
_d1864-1953
245 1 4 _aThe Blood of Rachel, a Dramatization of Esther, and Other Poems
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2011
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2011-01-12
508 _aProduced by David Garcia, Christine Aldridge and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Kentuckiana Digital Library)
520 _a"The Blood of Rachel: A Dramatization of Esther and Other Poems" by Cotton Noe is a dramatic work accompanied by poetry, written in the early 20th century. This piece dramatizes the biblical story of Esther, exploring themes of power, fidelity, and heroism against the backdrop of the Persian Empire. The principal characters include Ahasuerus, the king of Persia, his queen Esther, and the villain Haman, presenting a conflict that intertwines personal and political stakes. The opening of the drama sets the stage in ancient Shushan and introduces the characters, highlighting the moral and emotional tensions of the court. Ahafid, a court poet, laments the king's indulgence and the plight of the people suffering under heavy taxes, while Smerdis, the jester, engages in a cynical commentary on the king's behavior. Queen Vashti's impending conflict with King Ahasuerus is foreshadowed as she refuses his command to appear before his revelers, expressing her grief for the suffering of the Persian people. Concurrently, Esther's character is introduced, framing her inner turmoil as she grapples with her identity and the looming danger faced by her people, setting the groundwork for a tale rich with themes of sacrifice and courage. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aPoetry
856 4 0 _uhttps://www.gutenberg.org/ebooks/34936
999 _c75781
_d75781