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001			35091
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040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aPS
100	1		_aHackett, Francis, _d1883-1962
245	1	4	_aThe Invisible Censor
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2010
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2010-01-27
505	0		_aThe invisible censor -- Whisky -- Billy Sunday, salesman -- Fifth Avenue and Forty-second Street -- As an alien feels -- Scientific management -- The next New York -- Chicago -- The clouds of Kerry -- Henry Adams -- The age of innocence -- The Irish revolt -- A limb of the law -- A personal Pantheon -- Night lodging -- Youth and the skeptic -- The spaces of uncertainty or, an ache in the void -- William Butler Yeats -- "With malice toward none" -- War experts -- Okura sees Newport -- The critic and the criticized -- Blind -- "And the earth was dry" -- Telegrams -- Of pleasant things -- The aviator.
508			_aProduced by Roger Frank and the Online Distributed Proofreading Team at http://www.fadedpage.net
520			_a"The Invisible Censor" by Francis Hackett is a collection of essays and articles written in the early 20th century. The work provides a critical examination of societal norms and the underlying biases that influence the way individuals and events are portrayed in literature and history. Through a focus on the concept of the "invisible censor," Hackett scrutinizes how decorum and social expectations shape public narratives and our understanding of truth. At the start of the text, Hackett reflects on a conversation he had with a cultured woman who dismissed Strachey’s "Eminent Victorians" as "cheap.” This prompts him to explore the idea of the invisible censor—a force that governs what is deemed socially acceptable to express or reveal. He delves into the complexities of biography and storytelling, suggesting that the most valuable insights come from ignoring this censor and allowing for a more honest representation of characters and societal issues. Throughout the opening, he sets the stage for a broader critique of the constraints imposed by decorum and traditional values, indicating his intention to challenge these boundaries in subsequent essays. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aAmerican essays
856	4	0	_uhttps://www.gutenberg.org/ebooks/35091
999			_c75936 _d75936