000 02231cam a22003253u 4500
001 35124
003 UtSlPG
005 20260610133813.0
006 m
007 cr n
008 260607r2011||||utu|||||o|||||||||||||| d
010 _a09024669
040 _aUtSlPG
041 7 _afr
_2iso639-1
050 4 _aND
100 1 _aVerhaeren, Emile,
_d1855-1916
245 1 0 _aJames Ensor
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2011
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2011-01-31
508 _aProduced by Christine Bell & Marc D'Hooghe
520 _a"James Ensor" by Emile Verhaeren is a biographical critique of the prominent Belgian painter, likely written in the early 20th century. The work delves into Ensor's unique artistic vision and the socio-cultural milieu of Ostende, where he lived and worked, exploring the influences that shaped his style. It discusses his familial lineage and his connection to both English and Flemish cultures, highlighting the dualities in his artwork that evoke both humor and darkness. The opening of the text introduces the reader to the vibrant setting of Ostende, where English influences interact with local traditions, creating a backdrop for Ensor's artistic development. It provides vivid descriptions of the town's environment, contrasting the lively summer activities with the quieter, melancholic winter life. As Ensor immerses himself in this landscape, he is portrayed as a figure deeply engaged with objects and symbols that resonate with his view of the world, often embracing themes of misanthropy, humor, and irony. The beginning establishes a foundation for understanding the complex interplay between Ensor's surroundings and his artistic expression, setting the stage for a deeper exploration of his work throughout the rest of the book. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aEnsor, James, 1860-1949
653 _aPainters -- Belgium -- Biography
856 4 0 _uhttps://www.gutenberg.org/ebooks/35124
999 _c75969
_d75969