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010 _a08011091
040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aPR
100 1 _aCurry, S. S.
_q(Samuel Silas),
_d1847-1921
245 1 0 _aBrowning and the Dramatic Monologue
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2011
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2011-04-29
508 _aProduced by The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
520 _a"Browning and the Dramatic Monologue" by S. S. Curry is a scholarly exploration of Robert Browning's innovative use of the dramatic monologue, written in the early 20th century. This work delves into Browning's unique poetic form which allows a single speaker to convey complex human experiences and emotions through a one-sided dialogue. The book argues that Browning's monologues illuminate psychological depth and character motivation, highlighting their significance in modern literary expression. The opening of the book introduces the reader to the premise that Browning's poetry was often misunderstood due to its unconventional structure. Curry recounts anecdotes about how Browning's work initially puzzled readers like Douglas Jerrold, illustrating the challenges posed by Browning’s poetic style that does not conform to traditional narrative forms. The text presents questions about why Browning's themes were not readily grasped, suggesting that the monologue form, which Browning utilized extensively, represented a departure from more familiar poetic forms and required attentive interpretation to fully appreciate its depth and meaning. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aBrowning, Robert, 1812-1889 -- Criticism and interpretation
653 _aDramatic monologues -- History and criticism
856 4 0 _uhttps://www.gutenberg.org/ebooks/35989
999 _c76832
_d76832