| 000 | 02516cam a22003133u 4500 | ||
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| 001 | 36788 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133835.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2011||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aPN | |
| 100 | 1 |
_aOuida, _d1839-1908 |
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| 245 | 1 | 0 | _aCritical Studies |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2011 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2011-07-19 | ||
| 505 | 0 | _aGabriele d'Annunzio -- Georges Darien -- The Italian novels of Marion Crawford -- Le secret du précepteur -- L'impérieuse bonté -- Wilfrid Scawen Blunt -- Joseph Chamberlain -- Unwritten literary laws -- Auberon Herbert -- The ugliness of modern life -- The quality of mercy -- The decadence of Latin races -- Alma Veniesia. | |
| 508 | _aProduced by David Edwards, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) | ||
| 520 | _a"Critical Studies" by Ouida is a collection of literary essays written in the late 19th century. The work compiles previously published essays from various literary journals, discussing notable authors such as Gabriele D'Annunzio and Georges Darien, among others. The essays explore themes of artistic expression, literary judgment, and the evolution of modern literature, emphasizing the nuanced relationship between authorial intent and critical reception. The opening of "Critical Studies" introduces a detailed examination of the works and style of Gabriele D'Annunzio, an influential Italian writer. Ouida articulates her thoughts on D'Annunzio's literary genius while critiquing the excessive detail and indecency present in his work. She also reflects on the reception of his literature in French translations, raising issues regarding fidelity to the original text. The initial chapter sets the tone for a close, critical engagement with contemporary literature, and establishes Ouida's unique voice in discussing the complexities of artistic intent versus public interpretation. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aLiterature -- History and criticism | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/36788 |
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_c77628 _d77628 |
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