000			02201cam a22003013u 4500
001			36978
003			UtSlPG
005			20260610133837.0
006			m
007			cr n
008			260607r2011||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_afr _2iso639-1
050		4	_aMT
100	1		_aBerlioz, Hector, _d1803-1869
245	1	3	_aLe chef d'orchestre: théorie de son art
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2011
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2011-08-05
508			_aProduced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
520			_a"Le chef d'orchestre: théorie de son art" by Hector Berlioz is a theoretical work on conducting music, likely written in the mid-19th century. The book serves as an exploration of the art and responsibilities of a conductor, emphasizing the critical role they play in realizing a composer's vision and ensuring a cohesive performance from the orchestra. In this text, Berlioz delves into the nuances of conducting, outlining the various gestures and techniques that a conductor must master to guide the musicians effectively. He discusses the importance of the conductor's ability to communicate and inspire the orchestra, highlighting that a conductor not only directs but also shapes the interpretation of the music. The text covers topics such as the complexity of conducting different time signatures, the necessity for precise timing, and the collaboration between the conductor and musicians, particularly in challenging passages. Berlioz’s insights serve not only as a guide for future conductors but also as a critique of the practice and execution of conducting music during his time. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aConducting
856	4	0	_uhttps://www.gutenberg.org/ebooks/36978
999			_c77818 _d77818