000			02127cam a22003013u 4500
001			37849
003			UtSlPG
005			20260610133849.0
006			m
007			cr n
008			260607r2011||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_ait _2iso639-1
050		4	_aPQ
100	1		_aD'Annunzio, Gabriele, _d1863-1938
245	1	3	_aIl ferro
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2011
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2011-10-25
508			_aProduced by Carlo Traverso, Claudio Paganelli, Barbara Magni, and the Online Distributed Proofreading Team at http://www.pgdp.net
520			_a"Il ferro" by Gabriele D'Annunzio is a drama in three acts written in the early 20th century. The play unfolds in a decaying Tuscan villa that evokes both splendor and melancholy, following characters caught in emotional turmoil and fraught familial relations. Central to the narrative are Mortella, a deeply introspective young woman grappling with her feelings towards her estranged mother and her stepfather, Gherardo Ismera, while navigating themes of memory, identity, and longing. At the start of the drama, the audience is introduced to a poignant scene as Mortella reflects on her life and sense of self in the context of her family's troubled past. As she converses with her companion, La Rondine, various themes of love, regret, and nostalgia are explored through their dialogue. This opening setting establishes a tense atmosphere as Mortella’s mental state appears fragile, hinting at her unresolved feelings about her familial bonds and the ominous presence of past grief. The arrival of Gherardo Ismera signals a significant turning point, revealing layers of pent-up emotions that set the stage for the unfolding drama. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aItalian drama
856	4	0	_uhttps://www.gutenberg.org/ebooks/37849
999			_c78689 _d78689