000			02022cam a22003013u 4500
001			37936
003			UtSlPG
005			20260610133850.0
006			m
007			cr n
008			260607r2011||||utu|||||o|||||||||||||| d
040			_aUtSlPG
041		7	_ait _2iso639-1
050		4	_aPQ
100	1		_aBracco, Roberto, _d1861-1943
245	1	0	_aDopo il veglione o viceversa
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2011
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2011-11-05
508			_aProduced by Carlo Traverso, Claudio Paganelli, Barbara Magni, and the Online Distributed Proofreading Team at http://www.pgdp.net
520			_a"Dopo il veglione o viceversa" by Roberto Bracco is a comedic play likely written in the late 19th century. This theatrical work, designed for the café-chantant format, utilizes humor and role reversals to explore themes of identity and gender. The narrative unfolds within an intimate salon setting, where a man and a woman, dressed in each other's clothing and masked, engage in witty banter that highlights societal norms related to gender roles. In the play, the male character, who believes the woman to be a man due to her disguise, and the female character, who is equally convinced of his true identity, engage in a humorous exchange filled with misunderstandings and flirtation. As they navigate their mistaken identities, both characters shed their disguises, revealing their true selves while discovering unexpected feelings for one another. The play culminates in a lighthearted exploration of attraction and identity, emphasizing that true self-expression can often be clouded by societal expectations. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aItalian drama
856	4	0	_uhttps://www.gutenberg.org/ebooks/37936
999			_c78776 _d78776