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| 001 | 37970 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133851.0 | ||
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| 007 | cr n | ||
| 008 | 260607r2011||||utu|||||o|||||||||||||| d | ||
| 010 | _a22012773 | ||
| 040 | _aUtSlPG | ||
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_aen _2iso639-1 |
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| 050 | 4 | _aPN | |
| 100 | 1 |
_aLewis, B. Roland _q(Benjamin Roland), _d1884- |
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| 245 | 1 | 0 | _aContemporary One-Act Plays |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2011 |
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| 300 |
_a1 online resource : _bmultiple file formats |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2011-11-10 | ||
| 505 | 0 | _aIntroduction -- The twelve-pound look / Sir James M. Barrie -- Tradition / George Middleton -- The exchange / Althea Thurston -- Sam Average / Percy Mackaye -- Hyacinth Halvey / Lady Augusta Gregory -- The gazing globe / Eugene Pillot -- The boor / Anton Tchekov -- The last straw / Bosworth Crocker -- Manikin and Minikin / Alfred Kreymborg -- White dresses / Paul Greene -- Moonshine / Arthur Hopkins -- Modesty / Paul Hervieu -- The deacon's hat / Jeannette Marks -- Where but in America / Oscar M. Wolff -- A dollar / David Pinski -- The diabolical circle / Beulah Bornstead -- The far-away princess / Hermann Sudermann -- The stronger / August Strindberg. | |
| 508 | _aProduced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) | ||
| 520 | _a"Contemporary One-Act Plays" by B. Roland Lewis et al. is a collection of one-act plays written in the early 20th century. This compilation serves both educational and entertainment purposes, aiming to highlight the one-act play as a specific, significant dramatic form. The collection includes a variety of plays that range across genres like comedy and tragedy while intentionally focusing on uplifting themes. The opening of the collection introduces the concept of the one-act play and its importance within contemporary theatre. In the introduction, Lewis emphasizes the artistic and technical distinctions of the one-act play, asserting that it should convey a singular dramatic effect within a shorter timeframe. He notes that well-crafted one-act plays condense significant human experiences, allowing for an intense emotional impact. The introduction sets the stage for the plays that follow, promising a powerful exploration of life's complexities through concise storytelling and character development. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aOne-act plays | ||
| 653 | _aDrama -- Collections | ||
| 700 | 1 |
_aBarrie, J. M. _q(James Matthew), _d1860-1937 |
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| 700 | 1 |
_aBornstead, Beulah, _d1896- |
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| 700 | 1 |
_aChekhov, Anton Pavlovich, _d1860-1904 |
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| 700 | 1 |
_aCrocker, Bosworth, _d1882-1946 |
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| 700 | 1 |
_aGreen, Paul, _d1894-1981 |
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| 700 | 1 |
_aGregory, Lady, _d1852-1932 |
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| 700 | 1 |
_aHervieu, Paul, _d1857-1915 |
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| 700 | 1 |
_aHopkins, Arthur, _d1878-1950 |
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| 700 | 1 |
_aKreymborg, Alfred, _d1883-1966 |
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| 700 | 1 |
_aMacKaye, Percy, _d1875-1956 |
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| 700 | 1 |
_aMarks, Jeannette Augustus, _d1875-1964 |
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| 700 | 1 |
_aMiddleton, George, _d1880-1967 |
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| 700 | 1 |
_aPillot, Eugene, _d1886-1966 |
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| 700 | 1 |
_aPinski, David, _d1872-1959 |
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| 700 | 1 |
_aStrindberg, August, _d1849-1912 |
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| 700 | 1 |
_aSudermann, Hermann, _d1857-1928 |
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| 700 | 1 | _aThurston, Althea | |
| 700 | 1 |
_aWolff, Oscar Monroe, _d1876- |
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| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/37970 |
| 999 |
_c78810 _d78810 |
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