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| 001 | 38158 | ||
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| 005 | 20260610133853.0 | ||
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| 008 | 260607r2011||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_ade _2iso639-1 |
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| 050 | 4 | _aN | |
| 100 | 1 |
_aLiebermann, Max, _d1847-1935 |
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| 245 | 1 | 4 | _aDie Phantasie in der Malerei |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2011 |
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_a1 online resource : _bmultiple file formats |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 500 | _aRelease date is 2011-11-28 | ||
| 505 | 0 | _aVorwort zur zweiten Auflage -- Einleitung -- Die Phantasie in der Malerei -- Empfindung und Erfindung in der Malerei -- Phantasie und Technik. | |
| 508 | _aProduced by Jana Srna, Norbert H. Langkau and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) | ||
| 520 | _a"Die Phantasie in der Malerei" by Max Liebermann is a philosophical treatise on the nature of painting, written in the early 20th century. This book explores the intersection of imagination and technique in the art of painting, articulating the author's views on how the creation of art stems from both natural observation and the artist's subjective experience. Liebermann reflects on the importance of fantasy as a driving force behind genuine artistic expression, arguing against the notion that naturalistic art lacks depth. In this work, Liebermann delves into the concept of fantasy as the essence of artistic creation, asserting that true artistry is achieved when an artist brings their inner vision to life on the canvas. He contrasts various artists' techniques and philosophies, illustrating how different approaches to nature and personal expression can yield masterpieces, regardless of the subject matter. By emphasizing the symbiotic relationship between technique and imagination, Liebermann establishes that the merit of a painting lies not solely in its technical precision but in the artist's ability to evoke emotion and meaning through their unique interpretative lens. Ultimately, the book serves as a passionate defense of the naturalistic style and a meditation on the creative process. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aAesthetics | ||
| 653 | _aPainting | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/38158 |
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_c78998 _d78998 |
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