| 000 | 01716cam a22003253u 4500 | ||
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| 001 | 38923 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133906.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2012||||utu|||||o|||||||||||||| d | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_aen _2iso639-1 |
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| 050 | 4 | _aND | |
| 100 | 1 |
_aRuskin, John, _d1819-1900 |
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| 245 | 1 | 0 | _aModern Painters, Volume 3 (of 5) |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2012 |
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_a1 online resource : _bmultiple file formats |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 500 | _aWikipedia page about this book: https://en.wikipedia.org/wiki/Modern_Painters | ||
| 500 | _aRelease date is 2012-02-18 | ||
| 508 | _aProduced by Juliet Sutherland, RSPIII and the Online Distributed Proofreading Team at http://www.pgdp.net | ||
| 520 | _a"Modern Painters, Volume 3 (of 5)" by John Ruskin is a critical work published in 1854. This volume forms part of Ruskin's ambitious defense of contemporary landscape painters, particularly J.M.W. Turner, arguing their superiority over the old masters. Here Ruskin coins the influential term "pathetic fallacy" to describe the attribution of human emotion to nature. The work explores how art should document nature's truth, distinguishing between surface observation and deeper insight into natural forces—a distinction that would profoundly influence the Pre-Raphaelite Brotherhood and Victorian aesthetic thought. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aAesthetics | ||
| 653 | _aPainting | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/38923 |
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_c79762 _d79762 |
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