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001			39264
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040			_aUtSlPG
041		7	_aen _2iso639-1
050		4	_aN
100	1		_aWildridge, T. Tindall _q(Thomas Tindall)
245	1	4	_aThe Grotesque in Church Art
264		1	_aSalt Lake City, UT : _bProject Gutenberg, _c2012
300			_a1 online resource : _bmultiple file formats
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aRelease date is 2012-03-25
508			_aProduced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.)
520			_a"The Grotesque in Church Art" by T. Tindall Wildridge is a scholarly examination of the grotesque elements found in ecclesiastical artwork, written in the late 19th century. This work analyzes how various grotesque features in church art intertwine with historical, mythological, and artistic traditions, highlighting their significance and origins. The book explores the evolution of these artistic expressions and their reflection on the society that produced them. At the start of the book, the author provides a preface outlining the scope of the study and the types of grotesques that will be analyzed. He emphasizes the need for clear definitions and the relationship between church art and earlier pagan practices, suggesting that many church designs may have been derived from earlier religious forms. This opening establishes the foundation of Wildridge's arguments, as he prepares to delve deeper into the artistic qualities, historical context, and cultural significance of grotesques in church art throughout the book. (This is an automatically generated summary.)
534			_nOriginal publication data not identified
653			_aChurch decoration and ornament
653			_aChristian art and symbolism
653			_aGrotesque
856	4	0	_uhttps://www.gutenberg.org/ebooks/39264
999			_c80103 _d80103