| 000 | 02445cam a22003493u 4500 | ||
|---|---|---|---|
| 001 | 39687 | ||
| 003 | UtSlPG | ||
| 005 | 20260610133917.0 | ||
| 006 | m | ||
| 007 | cr n | ||
| 008 | 260607r2012||||utu|||||o|||||||||||||| d | ||
| 010 | _a09031035 | ||
| 040 | _aUtSlPG | ||
| 041 | 7 |
_afr _2iso639-1 |
|
| 050 | 4 | _aML | |
| 100 | 1 |
_aRolland, Romain, _d1866-1944 |
|
| 245 | 1 | 0 | _aMusiciens d'autrefois |
| 264 | 1 |
_aSalt Lake City, UT : _bProject Gutenberg, _c2012 |
|
| 300 |
_a1 online resource : _bmultiple file formats |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 500 | _aRelease date is 2012-05-13 | ||
| 505 | 0 | _aIntroduction: De la place de la musique dans l'histoire générale -- L'opéra avant l'opéra -- Le premier opéra joué à Paris: L'«Orfeo» de Luigi Rossi -- Notes sur Lully -- Gluck -- Grétry -- Mozart -- Supplément musical. | |
| 508 | _aProduced by Chuck Greif and the Online Distributed Proofreading Team at DP Europe (http://dp.rastko.net); produced from images available at the Internet Archive. | ||
| 520 | _a"Musiciens d'autrefois" by Romain Rolland is a historical account written in the early 20th century. The work delves into the history and significance of music, particularly focusing on opera and its evolution throughout different eras. The text is likely to appeal to those interested in music history, arts, and cultural analysis. At the start of "Musiciens d'autrefois," the author introduces the pivotal role music plays in the broader tapestry of history and culture. Rolland emphasizes the often-overlooked depth of musical history, positioning music as a vital expression of the human spirit that reflects societal values, emotions, and transformations. He critiques the historical narrative that has sidelined music in favor of more tangible arts, while establishing a connection between music and other art forms, highlighting how they influence one another. Rolland's examination urges readers to appreciate the intricate relationships between music, literature, and societal changes, setting the stage for a more thorough exploration of opera and its predecessors in subsequent chapters. (This is an automatically generated summary.) | ||
| 534 | _nOriginal publication data not identified | ||
| 653 | _aMusicians | ||
| 653 | _aOpera | ||
| 653 | _aComposers | ||
| 856 | 4 | 0 | _uhttps://www.gutenberg.org/ebooks/39687 |
| 999 |
_c80526 _d80526 |
||