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040 _aUtSlPG
041 7 _aen
_2iso639-1
050 4 _aML
100 1 _aHadow, W. H.
_q(William Henry),
_d1859-1937
245 1 0 _aStudies in modern music, second series
264 1 _aSalt Lake City, UT :
_bProject Gutenberg,
_c2012
300 _a1 online resource :
_bmultiple file formats
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aRelease date is 2012-05-23
508 _aProduced by Juliet Sutherland, Henry Flower and the Online Distributed Proofreading Team at http://www.pgdp.net
520 _a"Studies in Modern Music, Second Series" by W. H. Hadow is a scholarly examination of influential composers, written in the early 20th century. The work focuses on notable figures in classical music, particularly Frederick Chopin, Antonin Dvořák, and Johannes Brahms, exploring their contributions to musical form, style, and aesthetics. Hadow delves into the psychological and emotional aspects of music appreciation, potentially appealing to readers interested in both classical music and its theoretical foundations. At the start of the book, Hadow introduces concepts related to musical appreciation, emphasizing the importance of understanding both subjective reactions and objective analysis in evaluating music. He argues against the notion that art should be above critical scrutiny, establishing a framework for examining how music evokes emotions and communicates beauty. This opening discourse sets the stage for deeper explorations into the lives and works of the featured composers, illustrating Hadow's intent to connect the intricacies of musical structure with broader artistic principles. (This is an automatically generated summary.)
534 _nOriginal publication data not identified
653 _aChopin, Frédéric, 1810-1849
653 _aMusical form
653 _aDvořák, Antonín, 1841-1904
653 _aBrahms, Johannes, 1833-1897
856 4 0 _uhttps://www.gutenberg.org/ebooks/39771
999 _c80610
_d80610